Tila Tequila’s grasp of the marketplace proves brilliant.
TILA TEQUILA turned 26 on Wednesday, and the reader is advised to do whatever is necessary to forget that useless fact. Wipe it, as the metaphor goes, from the hard drive. Try also to obliterate the knowledge that Tequila is not, oddly enough, her real name (Nguyen is); that she is what
Wikipedia — in an entry only slightly less extensive than that on Sigrid Undset, the Norwegian novelist and 1928 Nobel laureate for literature — refers to as an “American glamour model”; that she is a former performer on the Fuse cable TV show called “Pants-Off Dance-Off”; that she is the centerpiece of a hit
MTV television series “A Shot at Love With Tila Tequila,” which made its debut early on Oct. 9 and was immediately, as the Hollywood Reporter noted, No. 1 in its time period in the network’s target demographic of people 18 to 34; and that the signal reason for this breakout success may also be the basis for Ms. Tequila’s unconventional fame, her boast that she has 1,771,920
MySpace friends.
Dispose of the information. You won’t need it for long.
How, one may ask, is it possible for a personality who great hunks of the citizenry never imagined existed to build up a social network more populous than Dallas? How can Tila Tequila have become enormously famous having done little of note beyond appearing as Playboy’s Cyber Girl of the Week? When exactly in the Warholian arc of fame did we arrive at a point where we create celebrities of people so little accomplished that they make Paris Hilton look like Marie Curie?
Who says any longer that one must be able to sing or dance or emote in order to attract an audience or, anyway, a batch of new friends in the ether? Who says that only winners win? As reality TV, with its durable affection for flame-outs, car wrecks and actual losers, has made abundantly clear, even after the tribal council has voted you off their tropical island, you’re still welcome in our homes.
When Jake Halpern set out to write “Fame Junkies,” his book about what is now a universal obsession with celebrity, he was surprised to uncover studies demonstrating that 31 percent of American teenagers had the honest expectation that they would one day be famous and that 80 percent thought of themselves as truly important. (The figure from the same study conducted in the 1950s was 12 percent.)
“Obviously people have been having delusions of grandeur since the beginning of time, but the chances of becoming well known were much slimmer” even five years ago than they are today, Mr. Halpern said. “There are an incredibly large number of venues for becoming known. Talent is not a prerequisite.”
New York Times
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